Teabag Art, Lovely Little Things!

Hi all,

This week I've been having a little play with tea bags and my gelli plate. It has been great fun and I'd love to do more, unfortunately I'm more of a coffee drinker. Will have to invite some tea drinking friends round!

This week, knowing how fantastic (sorry, that should be fantastically bad!) I am at finding time to blog, I decided to start using my long forgotten instagram account. Hopefully I'll post more regularly on there. If you want to see more come and find me @ sarahg5231 :-) 

Sarah
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A leafy card

Hi all,

In my last post I talked about gelli prints, and how some of the most appealing prints are the ones from cleaning the plate. The same goes for the paper I use to clean off my brayer during a gelli printing session - lots of lovely layers of colour and bits of pattern where I cleaned paint off stencils too.

Yesterday, I needed to make a birthday card for my father-in-law. While searching for inspiration I found one of these clean up sheets and it was just what I needed to get the creative juices flowing.

I picked a few coordinating colours of Paperartsy infusions and enlisted my son to help. We sprinkled them onto scraps of dictionary pages and sprayed with water. Once they were dry we used a leaf die to cut some lovely leaf shapes.

I decided to keep things simple with a bit of stitching and a little outlining I  black to make define the leaves a bit more.

This was a great way to use up a clean up sheet and some scraps from previous work, and good fun as well!

Sarah
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House bound

Hello and happy Easter to all!

We're not having the best one as my poor little boy has got chicken pox and is covered in itchy spots. We've had to abandon our family plans and are basically under quarantine for now. As we've been stuck at home I've been having another go at lino cutting, making a design suitable for a new home card for my sister and brother in law who have just moved house.

Up to now I've been using a softcut lino, but I'd run out, so I tried with some normal lino. It was interesting to compare the two types. I felt like my hand slipped more with this one and it didn't stay very flat so was a little harder to take prints from. However, the softcut is more rubbery and I've found it hard to get a clean end to each cut, so the traditional lino was better in this respect. I think it was also easier to get thinner lines. 

Anyway, once I was happy with the design. I tried to get some colour into the plain black and white print, but failed to get my patches of colour lined up and wasn't sure it really looked right. 

While staring at my prints in frustration I suddenly wondered whether I could use the lino cut as a stamp to take paint from a gelli plate..... yes I could!

Not sure it has worked perfectly, but I got something I liked better than the original prints. Some of the gelli prints I liked best are the ones I took mainly to clear the plate - I often find this is the case with gelli printing! You get some wonderful patchy prints with little specks of different colours. As always I have no idea what to do with them, but they look nice on my cluttered desk!

Thanks for reading,

Sarah
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